“A painting must have a heart, nervous system, bones, circulation. It should
resemble a moving person. It is necessary that whoever looks at it, be faced
with a company that will make him tell stories, give you certainties because a
painting, is not a escape, must be a friend who speaks, who discovers the riches
that lie in us and in our return. " Vieira da Silva
Testament
“A cerulean blue to fly high.
A cobalt blue for
happiness.
An ultramarine blue to stimulate the mind.
A vermilion to
circulate blood cheerfully.
A moss green to soothe the nerves.
A yellow
gold: wealth.
A cobalt violet to dream.
A madder to let you hear the
cello.
A yellow barife: science fiction and brightness; flush.
A yellow
ocher to accept the ground.
A green veronese for memory spring.
An indigo
able to tune the spirit of the storm.
An orange for exercising the vision of
a lemon tree in the distance.
A lemon yellow to the charm.
A pure white:
purity.
Land of natural siena: the transmutation of gold.
A sumptuous
black to see Titian.
A land of natural shade to better accept the melancholy
black.
A land of burnt sienna to the sense of duration.”
Maria Helena
Vieira da Silva
from here:
http://www.redbubble.com/groups/women-painters/forums/14471/topics/298743-woman-painter-m-helena-vieira-da-silva-the-dialogue-between-abstraction-and-figuration